Metapost: The Case of the Disappearing Drafts

As I submit polished stories for publishing, I’ll be removing the corresponding scraps of the rough drafts that were posted here. Many markets consider any online postings as prior publications, and although the final drafts I am submitting are usually quite changed from the rough drafts you’ve read here, I want to make sure there is no room for confusion.

If the pieces are rejected from enough venues, I will likely update the pages to share the final drafts with you. What this means is that some stories will be unavailable while their polished counterparts are in submission, and potentially forever if they are accepted, in which case, you will not be able to get me to shut up about it.

If you’d like to read a draft that is no longer available, please email me and I will be happy to discuss.

Metapost: New Site Feedback

This is a temporary post to solicit feedback on the new site before I switch over entirely and to test the Facebook and Twitter linking. It’s very similar to the old layout, albeit with a sexier URL, but I please let me know if there is anything you’d like to see or have changed before the switch. Just comment here to let me know, and thank you in advance.

I’d also love to crosslink to your personal site if appropriately themed, just send me your address and let me know. I’m trying to find ways to promote and evangelize this new address, and I’m afraid I really don’t know how to do that…

Thank you for following me here.

Metapost: A Gentle Entreaty

For those of you that have been around a while: I’ve been away. It’s easy to stop working hard on a thing you love when you let it be a lesser priority. It’s my fault, and I lost a year for it. My sincere thanks to people who emailed, poked, and prodded during the absence. Without you, I’d probably have stayed gone.

So now that I’m back, and you’re still here, let me ask one more favor of you: Be brutal. I want to hear what you think, I want to discuss these stories. But I want you be savage, and honest, and hold nothing back. Knives out. Teeth bared.

Today, my wife read and did a cursory editing pass on Dogs in the Drywall. When I asked her what she thought, she replied: “Not your best,” and when I pressed, she admitted she hated it, and she told me why, quite eloquently. And for the most part, she was right.

I need that critical eye. I’m posting these pieces in their rough forms almost as soon as I finish them, not because I want to hear you tell me you like it, but because I want to know what’s wrong with it. What’s almost there, and what will never get there and what needs to be trimmed away. I want you to ask me what the fuck I was thinking, because If I can’t just justify it, then its not worth saving. I’m thick skinned, I promise. I’m starting to think I might be a good writer, but I want to get better.

Okay, I lied. Of course I want to hear if you liked it. I especially want to hear if it scared you, got under your skin, or provoked some other emotional response. That’s useful too. But only if it’s the truth. I trust you. You’ve got good taste.

Metapost: Ultrashorts

Hello, all. I’m trying to work on being more economical with my words, so I’ve given myself a homework assignment. I’m writing a series of ultrashorts, 140 characters or less, on Twitter, of course. They’re not likely to be good, but the challenge is rewarding.

Try it with me, I’d love to see your short stories, and I’ll post some here.

“When it returned the 3rd night, it no longer seemed content to shriek and stare through empty sockets. It wanted something. Something alive.”

“When the sun failed to come up one autumn morning, we burned coal, wood, and our money. By winter, we were burning each other.”

“When the fire died down, and the wreckage of the crash could be sifted through, nothing made sense, least of all the dozen extra skulls.”

“We shared our last breath, back and forth, until it burned our lungs. The rising pressure of the black water played a steady funeral rhythm.”

“A silhouette projected on the blinds by streetlight frosts my heart. It is only the outline of a man. Yet this is my third floor window.”


“She looked at me with those eyes, those bloodshot eyes, and I knew this was no longer the woman I loved. She was dead to me.” – Chris Vaughn, of Terror Tortellini

“The breathing was all we heard. But when it ceased there was nothing I wanted to hear more. Until it was right behind me.” – Cameron Bell, @XxCanNibalCamxX

“I never went into her bedroom again, but made a ritual in the hall of laying down newspapers wherever she had trickled out under the door.” – Andrew

(if you object to me posting your shorts here, drop me an email, and I’ll remove them) 

All work is wholly owned by the listed creators.

East

It’s been a long time since I’ve seen the Storm.

It’s always been there, behind us, whispering through the shuddering ground. A background roar behind the wind. We’d been ahead for so long, moving slightly faster than its clockwork crawl. Until the mountains. Then, as we ground ourselves upward against these slopes, we heard it rumbling closer, a rising quake in the earth. But it’s been a while since I turned around and actually saw it. Sitting here on the side of the mountain, in the frigid morning, it fills my vision and stings my eyes with the monstrous unreality of it.

It rises like an unbroken wall into the sky, obscured only by the limits of my sight, fading into the clear blue, and stretching away north and south, curving away with the earth. The sunlight doesn’t seem to touch it. Nothing does. At the ground, where the churning wall of sickly blue lightning and black clouds grinds across the earth, I can see the Unmaking. The lower peaks, already shaking apart, burst and ablate away at the event horizon of the Storm. The land dips before the onslaught, as if shying away from the kiss of the boiling wall. I can feel the violence beneath my feet as millions of tons of ancient mountain falls away into its infinite maw.

It’s going to be on me in a few hours. I wonder if I’ll die when the peak caves away, crushed in a free-fall of slate and stone, or whether I’ll be alive when the Storm touches me, shredded and atomized, erased and Unmade. I wonder, again, what it might feel like.

Continue reading “East”

Metapost: Progress and Prologues

The novel is progressing much quicker in my head, and much slower on the page than I had hoped. It’s densely complex, frighteningly so, but I’m keeping notes. I have no shorts planned at the moment, my excitement with the world at hand is too great. Apologies for a lack of updates, but I thought I’d share this with you, the prologue, as it stands, for “This Side of the Blue”.

 

The meteorite is the source of the light
And the meteor’s just what we see
And the meteoroid is a stone that’s devoid
of the fire that propelled it to thee

– Joanna Newsom, Emily

The falling star carved a burning scar across the night sky. On the open plain below, a dozen eyes tracked the hot red trail from east to west, watching small flakes of fire peel away from the heart of the meteor. The glow lit their smooth faces, and as the ember at the center cooled and vanished, they turned back to the cook fire, chattering to one another in excitement. Some were old enough to remember the winter of shooting stars, when streaks of fire crossed the sky with a steady, mystic rhythm. They told stories, sung in complex harmonies, and laughed beneath the quiet sky.

A distant rumble rolled across the grassland from the west, and they craned long and elegant necks, waiting in silence for something more. But the only sound was the wind, hissing through the waving stalks of golden grass, and they soon returned to the old songs.

Part I: The Garden and the Graveyard
….
Hope the weekend finds you all well, and thanks, as always, for reading.

 

The Blues

The Blues appeared in episode 351 of the Pseudopod Podcast. I am beyond thrilled to have made a sale to the very market that got me interested in writing short horror.
 
 
The first wave hits me as I stand on the old bridge, looking down into the green and still waters. It’s like an army of fingertips, starting in my scalp and tracing down my skin and I shudder involuntarily. Familiar fog takes shape in my mind, a cotton candy spiderweb, snaring thoughts and vibrating in time with the wind through the trees. In the distance I can hear King hollering, followed by the tinkling sounds of shattered glass, and then Leif’s laughter.

I shut them out, make my world the rusting footbridge, the warm air, and the dark water below. An untouched bubble of space that I alone inhabit. On the worn concrete abutment beneath me, someone has scrawled in white paint the words LOOK UP, and I do so, without thinking, the command bypassing conscious thought. The sky is perfectly blue, cerulean above me and cornflower in the distance. I tumble the words through my hands, adding to them: azure, cobalt, bondi, indigo, ultramarine. The blues merge and swirl, dripping through my hands leaving long streaming trails of letters.

I shake my head and laugh loud, listening to the sound travel on the warm breeze. Happy. For the first time in many months, I am free, in control. My life is my own again.

“Rog! Roger!”

I try to ignore the voice, but I know Alex is already walking down the bridge toward me. The brief surge of freedom is already starting to fade. I try to hold tight to the moment, leaning out and surveying the debris choked creek beneath. What I had taken for a filthy styrofoam beer cooler catches my eye, and I look closer and see a green and mossy haunch. A rotting human thigh, the remaining skin greenish white, the rest of the body vanishing into the algae choked water.

I feel sick, the last scraps of joy congealing, turning rancid. The fear is creeping back in. I turn to Alex, my island of calm in the half-year storm, and watch him walk towards me like a barefoot saint, his sandy hair tangled and wild. His wide and white grin lights up his face beneath dark eyes, and the fear does not vanish, but halts its approach.

“How you feeling, Roger?” He asks, his eyes twinkling.

Continue reading “The Blues”

Metapost: Something Very Cool.

Through a recent collaborative project, I had the fortune of meeting Christian Frederiksen, an extremely talented artist.
Christian has been working on a series of images to accompany the first half of my story, One, and I am more than thrilled with the results. Below are some low res versions of the images, which I’ve also threaded into the original story. You can see the higher res versions, along with many other excellent images in a wide variety of styles at his sketchblog.
What amazes me is how close these matched the images in my head when I was writing, down to a few uncanny details. I can’t wait to see the images from the second half.

Shiva

My mother is crying so loud that at first I can’t make out the words. When I pick his name from the tinny sine wave of her wailing, I know my brother Lev is dead. My guts constrict, wrapping into a knot, and I the air rushes out of me. I let her go as I struggle to stand, eyes tilting skyward to stem the tears. When she’s out of breath, I hear my father’s cracked baritone mutter. After a while I start to hear his words, hear ‘shiva’, and my guts twist again, counterclockwise this time.

They want me to come home.

1

I land in time for the funeral, crossing the continent in a few bleary hours. At the cemetery, I still wear the sweaty reek of the plane’s cabin on my clothes. The coffin is in the ground before I fully grasp what it means: this is my brother’s body, and this is forever. I’m still spinning the thought like a smooth stone in my hand when we arrive home. I place my bags onto a familiar bed that looks smaller than I remember, and return to the ground floor.

I shake hands and nod to a swirling fog of faces from childhood, grown strange with age. I find the rhythm in answering the same questions, my work, my life, the past twenty years, and soon I no longer have to think about the responses.

The faces drift away with the daylight, and the house becomes dark and empty. Wherever I twist my eyes, something triggers a tiny explosion of memories. A dented baseboard. Dull silver on a salt shaker.

My mother and father sit side by side in plastic folding chairs across from the couch. For a moment I think about helping them to some relative comfort. The moment passes. I sit in my father’s overstuffed recliner, and try to keep my head above the flood.

The edges of my vision grow dim – there’s something odd about the light. I look to my mother, and see the shining chrome trim of her glasses, see the dark hollows of her eyes almost black. The contrast sharpens, and the uncanny light becomes too painful to look at, to even think about. I shake my head, and look back to the neutral tones of the embroidered couch.

My brother is there.

Dressed in funereal black, his hair is long and wild. He is staring at me, and beneath his uneven beard, his mouth moves. No sound escapes, not even the sibilant pops and clicks of lips and teeth. No breath.

Engines whir in my head, and I close my eyes. I’m tired. Under extreme stress. Still not quite well. I should have expected this. I press fingertips to my eyes, and focus on the purple and blue geometric explosions of false light. Count the angles and lines. Breathe.

Breathe.

Open.

Lev leans forward, reaching his arms across the table at our parents, and his lips continue to dance without sound. My parents look down, leathery faces impassive. My father is asleep.

Lev turns to me, and his bright eyes flash. He smiles. That wild, wide Lev smile. Mischief and revelation and something else. He speaks, and with a sudden snap, like the bursting of a soap bubble, I hear.

“The light, Ronen. Can you see?”

Breath escapes me like a pierced balloon, one long sigh until I am empty, and at last I begin to cry. Lev’s eyes are locked on mine, and I clutch at the moment, until the creak of my father standing breaks the silence.

“I’m glad you’re home,” he mumbles as he takes my mother and leads her towards the stairs. “Thank you.”

Irrational, childish anger wells up in me, and I turn to scream at him, but the strange light has faded. I am crying in an old chair in a familiar room on a warm, wet evening.

Lev is gone.

Continue reading “Shiva”