I was fortunate enough to be invited to submit to Doug Murano and D. Alexander Ward’s “Shadows Over Main Street” anthology, which merged Lovecraft inspired stories with small-town Americana. My contribution started with my interest in the Cuban Missile Crisis, and the sense of pending apocalypse nested in my own safe conception of the past, and unspooled from there.
If you enjoy this blend of Mythos and Mayberry, then check out the rest of collection, featuring stories from Nick Mamatas, Gary Braunbeck, Lucy Snyder, Josh Malerman, and more. The second edition is available at Amazon, and many other booksellers.
Erica holds onto my hand as we sit on the couch and stare into the wide eye of her father’s color TV. Her sweaty palm pulses in time with her galloping heartbeat, and she sucks at the air in noisy hiccups. I have to press my lips together to keep from screaming at her to be quiet.
They’re showing the photographs again, the new ones. All week in school we’ve talked about missiles and blast radiuses and blockades, the approach of halloween all but forgotten. Our paper-mache masks, two grinning witches, sit half-finished in the corner, casualties of the Crisis. But it’s all changed again, and we can’t catch up.
“The purpose and function of the structure are still anyone’s guess, but by now it’s clear that the Soviets had another purpose on the island of Cuba entirely. We still don’t have a good explanation for how a sinkhole of that size appeared seemingly over night.”
The man on the television repeats what he can about the new photographs as sweat beads on his upper lip, vivid and crisp on the Dahlberg’s new screen. The man on the television doesn’t know how to describe them, keeps tripping over his words as he tries to make sense of the aerial photographs. No one can. I can hear Mr. Dahlberg screaming in the kitchen, loud and angry.
“As of an hour ago, there’s been no more communication with the USSR, and the President’s demands for an explanation have gone unanswered.” Continue reading “The Crisis”