Tag Archive: horror


In the past few years, about a half dozen people have emailed me, wanting to adapt a story I’ve written for film. My answer has always been yes, but so far, not much has come of it (with the exception of one really interesting script adaptation of “Roadwork”.) This weekend, Tom Festo (twitter:@bigleaguetom), director/writer of “The Algorithm  (based on my story of the same name), sent me these behind-the-scenes production pictures, and graciously let me share them here. I’m very excited to see the final product.


The Algorithm, by Tom Festo

I’m really taken by this image, the symmetrical framing, the small cooler (such a nice touch), and a very creepy looking house. Location scouts are unsung heroes. I’m not just saying that because I’m related to one.

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Summer Night

This isn’t a new story, per se, but instead something I wrote up recently for a subreddit while I was waiting for some code to compile. This is, for most intents and purposes, a “true story”. Or rather, that’s what I said when I posted it there. There is one slight fabrication here, a keystone to hold this together as a narrative, as opposed to just a simple scene. But other than that, the rest is as I remember it, with all the unreliability that that implies. Enjoy.

I love horror, and I write scary stories, but I’m a skeptic, a strict rationalist through and through. I am not a believer. There have been, however, a couple of events in my life that I can’t properly explain.

When I was in college, a group of six friends and myself were on college campus, fresh from the disappointment of a failed attempt to score some hash. The college has a large arboretum, that edges a wide slow moving creek. It was a perfect California summer night, hot and muggy punctuated by gentle breaths of cool breeze.

We were walking along a long stretch of path, a wide paved trail with a steep drop into the water on the left, and a steep incline up a hill to the right. We’re talking too steep to go up without using your hands. On the incline to the right, a row of oak trees stood side by side with tall thin streetlights, casting the only light around, as it was a new moon. Ahead, we could see two hundred meters of trail, wide pools of orange light broken up by the deep black shadows under the limbs of the oak trees. But the path was flat and straight, so although the areas beneath the trees were inky dark, you could see there was no one else ahead of us on the path. The only sound was the gentle breeze and the frogs and insects in the creek.

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It’s been a long time since I’ve seen the Storm.

It’s always been there, behind us, whispering through the shuddering ground. A background roar behind the wind. We’d been ahead for so long, moving slightly faster than its clockwork crawl. Until the mountains. Then, as we ground ourselves upward against these slopes, we heard it rumbling closer, a rising quake in the earth. But it’s been a while since I turned around and actually saw it. Sitting here on the side of the mountain, in the frigid morning, it fills my vision and stings my eyes with the monstrous unreality of it.

It rises like an unbroken wall into the sky, obscured only by the limits of my sight, fading into the clear blue, and stretching away north and south, curving away with the earth. The sunlight doesn’t seem to touch it. Nothing does. At the ground, where the churning wall of sickly blue lightning and black clouds grinds across the earth, I can see the Unmaking. The lower peaks, already shaking apart, burst and ablate away at the event horizon of the Storm. The land dips before the onslaught, as if shying away from the kiss of the boiling wall. I can feel the violence beneath my feet as millions of tons of ancient mountain falls away into its infinite maw.

It’s going to be on me in a few hours. I wonder if I’ll die when the peak caves away, crushed in a free-fall of slate and stone, or whether I’ll be alive when the Storm touches me, shredded and atomized, erased and Unmade. I wonder, again, what it might feel like.

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The Blues is set to appear as an upcoming episode of the Pseudopod Podcast, on Friday, September 13, 2013. I am beyond thrilled to have made a sale to the very market that got me interested in writing  short horror.
 
 
 
The first wave hits me as I stand on the old bridge, looking down into the green and still waters. It’s like an army of fingertips, starting in my scalp and tracing down my skin and I shudder involuntarily. Familiar fog takes shape in my mind, a cotton candy spiderweb, snaring thoughts and vibrating in time with the wind through the trees. In the distance I can hear King hollering, followed by the tinkling sounds of shattered glass, and then Leif’s laughter.

I shut them out, make my world the rusting footbridge, the warm air, and the dark water below. An untouched bubble of space that I alone inhabit. On the worn concrete abutment beneath me, someone has scrawled in white paint the words LOOK UP, and I do so, without thinking, the command bypassing conscious thought. The sky is perfectly blue, cerulean above me and cornflower in the distance. I tumble the words through my hands, adding to them: azure, cobalt, bondi, indigo, ultramarine. The blues merge and swirl, dripping through my hands leaving long streaming trails of letters.

I shake my head and laugh loud, listening to the sound travel on the warm breeze. Happy. For the first time in many months, I am free, in control. My life is my own again.

“Rog! Roger!”

I try to ignore the voice, but I know Alex is already walking down the bridge toward me. The brief surge of freedom is already starting to fade. I try to hold tight to the moment, leaning out and surveying the debris choked creek beneath. What I had taken for a filthy styrofoam beer cooler catches my eye, and I look closer and see a green and mossy haunch. A rotting human thigh, the remaining skin greenish white, the rest of the body vanishing into the algae choked water.

 

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Regret To Inform

The night before I lost her, my wife and I fought about something I cannot remember. I remember the yelling, the sweat on her brow as she spat sharp words, I remember the welling frustration inside as I tried to remain calm, until I snapped, and began to fight back, only resisting for the sake of resisting. I remember the uneasy stubborn silence as we prepared for bed, opening all the upstairs windows, pulling all but the last sheet from the bed. I remember the heat of the night, cruelly unfaltering even into the small hours. I remember wanting so badly to touch her in the dark, to begin that small reconciliation, and I remember Linda pushing me away, gently. The argument was forgotten, I have to believe, and it was only the heat that kept us apart, that pushed me away.

She was gone when I awoke, the sun already hanging, bloated in the white and opalescent sky. She had taken the car, gone to work, leaving me a small pot of oatmeal simmering on the electric stove. Next to it, on the marble countertop was a glass of orange juice and a little yellow post-it, cheery and bright, with a quick pencil sketched heart, and a single word: ‘Sorry.’ Like that, the unrest was gone, and I remembered how in love we were.

I spent the day avoiding my contracts and my studio entirely, and instead began to clean and dust the house, running a series of damp cloths over every flat surface. My allergies were already flaring as the early summer heat coaxed a thousand weeds and flowers to disgorge a miasma of pollen into the air, drifting in through every loose fitting window pane. No matter how hard the anemic air conditioner chugged, the heat never dissipated, and my sinuses flared in the thick dusty air.

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